György Konrád lets the Danube speak. Along its almost 2900-kilometer course, it forms the axis of Central and South-Eastern Europe and connects the Black Forest with the Black Sea – a European miracle in itself.
Since the global political upheaval of 1989/90, the river has flowed through ten European countries, of which Romania and Bulgaria became the fifth and sixth EU members in 2007. Serbia and Croatia also see their near future in the European community. A total of 14 countries lie in the Danube basin, the catchment area of the great river. The countries bordering the Danube represent one of the most significant socio-economic potentials in Europe. 115 million people live in the countries, regions and cities that lie directly on the Danube alone. It was therefore only logical that the European Council in June 2009 instructed the EU Commission to draw up a “Danube Strategy” and thus – after the Baltic Sea Strategy – to create a further development program for a macro-region within the EU. To put it bluntly: the Rhine is the river of Europe’s past, the Danube the river of Europe’s future.
The Danube region is characterized by a cultural-historical significance and cultural colourfulness that is unique in Europe. The clash of the most diverse influences – from the Habsburg monarchy with its Catholic-Western character to Byzantine Orthodoxy and the Ottoman Empire, to name just the most important – have created a string of pearls of cities, cultural landscapes and monuments along the Danube.
With Vienna, Bratislava, Budapest and Belgrade, there are four European capitals and cultural centers on the Danube alone. Cathedrals, churches, monasteries, palaces, castles and fortresses characterize the course of the river. And it flows through natural landscapes that take your breath away with their beauty and diversity: from the idyllic upper reaches of the Wachau through the vastness of the Hungarian lowlands, the grandiose ruggedness of the Iron Gate to the natural paradise of the Danube Delta, where the Danube loses itself in the endless expanse of the Black Sea.
No one has described this better than Claudio Magris in his still unsurpassed biography of the Danube: “… not for nothing is the Danube the only truly European river, Protestant at its origin, then Catholic and finally Orthodox; it reflects both Roman ruins and Byzantine domes, cathedrals and synagogues, Baroque and Ottoman splendor”.
The culture and especially the festival landscape along the river offer the whole wealth of music styles and dance cultures that the Danube region has to offer. Traditional sounds and dances alongside electronic ethno and gypsy sounds, classical music alongside avant-garde, gypsy music alongside rock, pop and jazz. The encounter between tradition and modernity always results in something aesthetically new and unusual. This applies above all to the current theater scene in the Danube countries. The Spring, Autumn and Sziget Festivals in Budapest, EXIT in Novi Sad, BITEF in Belgrade and festivals in Romania and Bulgaria have long had a Europe-wide reach. With Sibiu, Linz and Pecs, three cities in the Danube countries alone have been European Capitals of Culture in recent years.
In recent years, festivals have emerged that focus on the river itself and offer artists and ensembles from the Danube countries a platform, such as the Donaufest in Ulm/Neu-Ulm, the Donumenta in Regensburg or the International Danube Festival in Tulcea, Romania, the gateway to the Danube Delta. The 250,000 visitors who came to the Donaufest in Ulm and Neu-Ulm last year show that this is meeting with growing interest. Our friendly Danube cities and regions presented themselves there with music and dance ensembles, theater, arts and crafts, exhibitions and tourist information.
Experiencing the diversity of cultures and lifestyles, their sensuality and liveliness and getting to know the unknown natural beauty along the river – this is also the basis for all forms of cultural tourism in the Danube countries. There are no limits to the imagination here, as the example of the Danube cycle path project from Budapest to the Black Sea shows.
The Danube primarily connects cities and regions. If we understand “cultural identity” with George Herbert Mead as belonging to a certain cultural collective with the willingness to act responsibly for this collective, then it is above all the cities and regions in which such a process can take place.
It is in the cities and regions that the shared history, present and future of the Danube are experienced most strongly and directly – the basis of any identity formation. Let’s take Ulm with its rich history and along the Danube. It was from here that thousands of people – the Danube Swabians – moved down the river on “Ulm boxes” 300 years ago to southern Hungary, the Banat, the Batschka, out of sheer necessity, to find a new home there and settle peacefully with other ethnic groups for centuries and create fertile landscapes.
That is history.
However, many people still live in our region today who have a personal connection to the regions and countries along the Danube due to their origins – be it Danube Swabian or other migration contexts – and who are now rediscovering their personal Danube history, their “Danube identity”.
The Europe of the future is a Europe of cities and regions. Nothing embodies this principle of European constitutional policy better than the ever closer cooperation and partnership between our cities and regions along the Danube. Joint projects in culture, science, education, ecology and business have been developed and implemented for many years. There are more and more encounters between young people (and senior citizens, Carmen!). Partnerships and personal friendships are developing and more and more solid structures are forming that connect our cities and regions, such as the Danube Cities and Regions Network. We founded a Council of Danube Cities and Regions in Budapest on June 11, 2009. It will give us a greater voice and weight with the European institutions and make a concrete contribution to the creation of an integrated European Danube region.
A few days after Budapest, the European Council instructed the EU Commission to draw up a “Strategy for the Danube Region”. This decision has taken our ambitious project a good step forward: the creation of a common, politically, economically and culturally interconnected development area along the Danube, a European macro-region from the Black Forest to the Black Sea. If this project is to be effective, it must make a demonstrable contribution to the development of cultural and political identity in the Danube region. A paper on the EUSDR states:
“On the one hand, the Danube region is closely linked culturally and historically, but at the same time, in terms of languages – 20 languages! At the same time, the Danube Region is a heterogeneous area in terms of languages – 20 languages! -, cultures, religions – five religions -, economies and forms of government, and it will be difficult to grow together without a common sense of belonging to this region and a common understanding of regional identity. The EU Strategy for the Danube Region can help to strengthen this bond through cultural, scientific, civil society and municipal cooperation. The Danube region must be made into a European trademark and the strategy must become an element in strengthening the regional identity of the people who live in this region. To this end, projects must be developed that promote cultural similarities as well as cultural diversity along the Danube.”
Let me name a few fields:
“Culture is the soul of Europe” is a principle of EU cultural policy. The Danube region in particular, with its enormous diversity of different cultures and ways of life, is an exemplary field for experimentation and experience.
The cooperation between creative artists, institutions and festivals in the cities and regions along the Danube, the exchange of theater cultures, music traditions and dance forms and their actors leads – according to the principle of “unity in diversity” – to a network of high creative potential. The identity-forming goal is to develop close cooperation in various artistic fields. The establishment of a European network of cultural professionals from the Danube region is a central project of the Council of Danube Cities and Regions as part of the EU Danube Strategy. Our joint platform for cooperation in culture, science and media is the European Danube Academy.
Another key point is the strengthening of civil society and civil rights. The Danube region is characterized by a multi-ethnic coexistence that is unique in Europe, but it also stands for latent tensions and open conflicts between ethnic groups, for exclusion, expulsion and even genocide in the Balkans just a few years ago. Anti-discrimination and equality projects play a central role in the development of civil society structures in the Danube region – just think of the huge and difficult task of integrating the Roma. More than 5 million Roma live in south-eastern Europe, sometimes in miserable conditions.
Let us also think about the meeting of young people from the Danube countries. We have set up “tolerance camps” and meeting projects for young people along the Danube, which we will continue and network with each other. The aim is to establish a European Danube Youth Office.
And the strengthening of free and independent media is another key prerequisite for the development of civil society and democratic conditions in the Danube region. This can be promoted through training and exchange programs for young journalists or through the establishment of a Danube media network, such as the one we recently founded in Novi Sad, Serbia.
My friend and teacher Dr. Erhard Busek once said in Ulm: “If European identity is not developed in the Danube region, where else?”
One principle applies: it was renewed in the final declaration of the last European Conference of Danube Cities and Regions in Budapest: “Democracy, tolerance, humanism, respect for religious freedom and the unconditional will to oppose all forms of nationalism and extremism are the foundations of our common development.”
European identity and cultural identity in the Danube region are only conceivable if they are rooted in these values.
Culture on the banks of the Danube – for me personally, this is like a large coffee house, a social melting pot, ambiguous and profound like the river itself … the coffee house: a European, identity-forming phenomenon, especially in the Danube cities, where it captivated a cosmopolitan audience with wit, magic and melancholy. Much of it is long gone, the actors scattered all over the world in dark times. Today, it is about recapturing the supposedly ancient and yet so modern European spirit of the Enlightenment in order to shape the great and ambitious European project. Today, more than ever, we need cultural curiosity and the willingness to make the foreign neighbor an acquaintance – especially in the Danube region. Let’s get going!
03/11
Peter Langer
Responsible for international contacts and coordinator of the European Danube Academy Ulm
Danube Commissioner for the cities of Ulm and Neu-Ulm
Coordinator of the Council of Danube Cities and Regions